Reversing the order in which instruments are usually created, Tarek Atoui took the sounds of a collection of ethnic musical instruments as a starting point for “The Reverse Sessions.” The artist used the audio recordings of live performances that he wrote and directed, to collaborate with instrument makers on imagining and building the objects that could have generated these recordings. Without involving any images, Atoui proposed to engage with sound directly – contrary to the path of ethnomusicology that studies the shape and mechanism of an instrument with an emphasis on its cultural and social context.
Editorial
Castalia, the Game of Ends...
- Glass Bead
Chart 1
Modelling the Game
Castalian Games
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Melting Glass Beads—The...
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The Glass Bead Game Revisi...
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- Mathias Béjean
Transcendental Logic and T...
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The Trans-Umweltic Express
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Chart 2
Ramifying Pathways
The Third House
- Anselm Franke
Forging Rules: Glass Bead...
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- Keller Easterling
The Consequences of Philos...
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Ideas of Savage Reason: Gl...
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- Eduardo Viveiros de Castro
The Photographic Real
- Tristan Garcia
Chart 3
Weaving Syntheses
Multilayered Sites and Dyn...
- Fernando Zalamea
The Turn of the Canoe
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The Theory of Topos-Theore...
- Olivia Caramello
Transformative Circuits
- Tarek Atoui
The Forgotten Meta-Realiti...
- Linda Dalrymple Henderson
Chart 4
Engineering Horizons
The Way of the Pacific: Gl...
- Freeman Dyson
Re-Engineering Hegemony: M...
- Alex Williams
- Holly Herndon
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Xenofeminism: A Politics f...
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Culture Without Mirrors—...
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Credits
Credits
- Glass Bead